Wednesday, 30 April 2014

Created in Borth

Whilst in Borth I did some art work using fabric, charcoal, block paints, soft pastels and oil pastels, concentrated watercolour and indigo ink.

I purchased the block paint to use with the stones on the beach and to get a bit of Suzy Ray look.  I applied some paint to the stones and then pressed the fabric over them which gave mixed results so I tried it the other way round i.e. pushing the stone onto the fabric.

this is fabric pressed over the stone which has given a firm shape of the stone 
a different larger stone using the same process, with soft pastel in orange drawn around the edge of the stone 


adding another stone using paint and pastel on the same fabric 




charcoal rubbed over stones on cotton fabric - stone shapes can be clearly seen



using string found on the beach, I painted it with block paint and then pressed it into the fabric and it gave these interesting lines



Reflection: I feel the best thing to come out of this work is using the seaweed and rope by dragging it down the fabric.  Also the charcoal rubbings are interesting.    I could see the charcoal fabric mounted and panoramic - simple without embellishing

similarly with this piece of rope I painted it and pressed it onto my fabric




Monday, 28 April 2014

Sourcing media for my practical work and dyeing

In readiness to prepare the practical work I have purchased items during the last few days including

second hang cotton sheet and 2 bolster cases again in cotton
concentrated water colour
indigo blue ink
recycled paper that looks hand made
charcoal
block printing in black and orange

The cotton sheet is to be ripped into strips for dyeing.   The 2 bolster cases will also be dyed but I'm not yet sure how i'm going to use them.

I have a friend who has an ideal garden for dyeing fabric with an outside tap.   So I trekked off their yesterday (Sunday 27th April).   I mixed up the procion dyes in the colours I had available to me which were yellow, butt yellow, black, brown and navy.   I then had hours of dyeing the fabrics I had purchased.   I started out quite sensible and doing as I did at College, dipping and a bit of scrunching.   However my friend did a small tester and just got more experiemental and messier than I did!   She folded up the fabric when it was wet, she scrunched it and produced an amazing sample.   She inspired me to get a more creative and experimental.  
gathering a variety of buckets without holes I put water in and added 1 teaspoon of dye and stirred - I also added a good teaspoon of salt as well





this was achieved by using seaweed dipped into dye and then dragged across the fabric.  I repeated this using several dyes 
this is one of the plainer pieces - you can just see there are yellow parts to it and this is accidental where the piece was drying on the washing line and another yellow piece blew into it - a happy accident as the red and yellow make up the sunset colours I have been trying to recreate 
for this effect I folder a strip of the cotton fabric over and over until it was small and then folded it width ways and then dipped the fabric on the end and in the middle when it was opened up I had lines 













to get this effect I used two pieces of fabric which I was in the process of dyeing and I dabbed them onto this plain white strip.  Finally using hte seaweed I dipped and dragged it along the fabric being careful not to overdo it 



dipping seaweed and dragging it down the fabric 



I was hoping to be able to press the seaweed onto the fabric to get a good shape but this didn't work and it came out as a blob.   Even when I was using charcoal over a piece of fabric which was over the seaweed it still didn't come out as clear as I'd have liked

Reflection

I forgot to bring some red procion dye which wasn't helpful.   However my friend produced a pack of red Dylon which did the job. 

I feel I was not thinking out of the box enough until my friend took a piece of fabric and did things I hadn't thought of.   It wasn't rocket science, but I was just thinking literally.   

When I had finished yesterday I wasn't sure I'd gotten what I set out to, but on reflection, I have got better results that I expected.   Again, I was thinking  quite narrowly and maybe trying to do a literal response to the sunset.  For example one piece I have done is brown that looks like rust on a building.  I didn't plan that, however that will now be turned into a piece a war bunker that I photographed on the beach.   




http://heritageofwalesnews.blogspot.co.uk/2011/11/local-people-help-to-reveal-wartime.html
my photograph one one of the buildings 


Business card organiser

I am starting to get a collection of business cards and contacts so I have just ordered a cheap business card holder so I can keep these organised 
I do have an excel spreadsheet which I started a couple of years ago, but I haven't kept up with it so I will need to do this 
Delivery package 1 of 1
Estimated delivery Thursday, 1 May - Friday, 2 May
Item price
£1.99
Quantity
1
Item number
171256827647
Delivery service
Royal Mail 2nd Class

April 26th 2014

Have had a busy few weeks over half term.

I have finished my business cards which has taken me weeks if not a month or more.   I have been designing,  talking to Lance, Steph, other students, re designing, talking myself out of what i've designed, telling myself it's not exciting enough, or it doesn't reflect me or my work.   

In the end I have a logo which is made from the felt I created a couple of months ago, and which I started with at the beginning of this design process, I am just using it in a different way to how I started.   Initially I created letter using the felt as the texture of the felt.   I have now settled on using the felt with my initials on.  It's simple, it's textured and it's me.   The colours work together.  The font is Typewriter font which gives a vintage feel.   I have also tried stitching my logo with embroidery thread.

embroidery thread used to sew my initials 



I cropped a piece of this felt to create my logo ensuring I selected a colourful selection 

I tried knitting a small rectangle to use as my background for my business card as I had seen textile cards on a website 
I then thought about using actual fabric to create the cards.  Lance suggested in a tutorial that we had a printer that could print out fabric so I made enquiries and indeed we do have such a printer, and fabric sheets A4 size.   As a sample, one of my pictures was photocopied onto this A4 sheet - I was doubtful that the photocopier wouldn't eat it up, but it didn't !   The outcome was very interesting.   Following this experiment, I purchased some further sheets and printed an image using my own printer at home and again great results.  So now I had fabric I could print on to.   The fabric came in sheets of silk, cotton, linen and many others.  The linen is sturdier then the silk.  

I set out creating various designs of business card with textured backgrounds and made a mock up with a card background, using a split pin to hold the fabric and card together.  I then took about 5 final samples into college to get feedback and came out with 3 that people thought looked good.  My mock ups were very much cut and paste and when discussing them with Emma, I mentioned that I thought the card I was using was too thick to go through the photocopier.  Again, she said she thought it would !!  So I tried it and she was right.    Reflection :  try thing before deciding they're not going to work.   The worst that can happen is things will get stuck in the photocopier and I suppose as long i'm not putting anything with a sticky coating it will be ok.

My final samples have been used this week to give out to business owners in Borth whom I approached to exhibit there in the summer.   

After creating these cards, I accidentally sat on some and discovered that the silk fabric scrunches very easily and looks dreadful when so scrunched so although these look interesting, practically, they are not good.  It was suggested to me though that these fabric ones could be used on opening night of exhibition so people have something to take away that's not just a card.   For day to day business use though I will not be using them simply because if I'm given a business card I shove it in my bag and if people were to do that with my fabric ones, it's going to look very unprofessional when it comes out scrunched up.   

Also, in preparation for Borth visit to approach potential exhibition venues, I had to type up my creative CV and a letter so in a few days I did both.   

Using the font and colour I have used for my business cards, I created a simple word document with usual letterhead details i.e. my name, postal address, email address, contact number and my logo. 

I purchased some card and paper from Craft Central.  I selected a lined piece in a mustard yellow colour - infact it's not lined, it's more of a ridged paper like the inside of cardboard - corrugated?   Again, I did sample this and it came out well.   My CV I printed on fabric, backed it with hessian and stitched into it.  I did two samples on fabric one with a card as backing.   They're fun, but they're not necessarily something I would give out to anyone.   Infact, when in Borth I did infact give out the printed copy of my creative CV on a yellow slightly transparent paper which I felt complimented the letterhead.   I have yet to received feedback on either of them but I felt confident handing them out, presented in a folder.  I couldn't settle on a folder, so I bought some twin files which has a pocket at the front to put business card, and a simple A4 clear cover folder.   However the latter I had to put in a poly pocket which ended up wider than the folder so.....   I prefer twin folder as it had 2 pockets in it and I could place neatly my letter on one side and my CV on the opposite pocket so when the folder was opened up both were facing the reader.   Cost of these folders was 90 pence and the paper was 99 pence for 6 sheets so as a starter I think that's quite reasonable.   

Reflection:  All the business cards I have been given and collected during the last few weeks are card based.   They are all of equal quality and half of them I feel represent what I saw of the artists' work.   A couple of them are ordinary and could have used stock pictures.   Others though such as Lucy Gell and Bapple and Jo-Jo show a brand.  Lucy's card contains one of the images on display at The Pavillion in Buxton and Bapple and Jo-Jo have a specific end product which is shown on their business cards. In addition to full size artwork being available, she had created a range of fridge magnets and coasters for the buyer who possibly can't afford or doesn't want to spend on a piece of artwork to hang up.  



This company had good branding I feel with their logo being the simple sketched sheep with the name baa ram ewe (from the film Babe) 






This company was nothing to do with art but their whole presentation both at the Wonderwool Festival and this card showed me good customer service, good business approach.  They had bags of seeds which are organic and smoked by themselves.  Their stall was inviting, they were friendly and offered samples of their product without having to ask.  They advised they have on line ordering facilities. And their postcard was humerous, contained all their details and I am likely to buy from them again 





This lady is a one woman show who again I received good business and customer service from.  I was drawn her to stall because of her Fat Fairies!    Her packaging for said fairies was simple, but the wording used was humerous and drew me in.   Fat Faries for the more mature christmas tree.  I wanted to purchase 2 of these but had run out of cash and only had my card left.  Unfortunately the Welsh Showground doesn't have cash machine facilities !!  So it was down to whether each seller had card facilities.  Now Maria did, however, as with other sellers, the facility was hit and miss and for me, it was a miss.   She told me to pick what I wanted, and she would put them aside and I could send her a chqeue for them.  This to me is good business sense.   

I've seen from real world that your image is important for an artist.   I picked up postcard size advertising as well which again show the brand as I saw it for the artists/companies.     

The saying "first impressions count" comes to mind here.   My customer service background will I feel come in handy.   



Visit to Borth - sourcing exhibition venue

I was a little apprehensive before going because I wasn't sure how the locals would take to an "outsider" trying to exhibit work.   Emma suggested I should not project the response and approach with confidence.
So with folders in hand, placed inside my newly sourced BES (Business Enterprise Support) bag which I felt was a little professional, I arrived on Thursday 24th April just after lunch.   The sun was out so I made haste to the high street in Borth.  I made notes at the end of each day with what had happened, who I met and the outcome and these are shown below.












The outcome is that my last approach, Peter Flemming at Oriel Tir a Mor, which interestingly enough was the first place I went to but didn't approach as I didn't think initially I could physically hold an exhibition there, is the place I am going to do it.    It's a coffee shop/gallery with seaside character, walls full of art work for sale.   Sofas are on the first floor with a small separate area through an arch which is where I hope to have my work on display.   I approached the owner yesterday, 25th April whilst he was in the middle of framing a large canvas, which they do at the back of the cafe.  Very welcoming man, he listened to me, asked what size my work was, and asked if I could send him some samples.  I did better than that, and pulled out my Borth book containing my photographs.  I also gave him a pack with my letter and CV in.   He said he would leave it for me to contact him when I have an idea of date and size of work.    This is a busy cafe so I know my work will be seen.

Photographs of the inside of the gallery/cafe are shown below.

this area is through an archway.  the table is large and take up a good portion of the room but there is art work all around the walls 

this shelf could be a good use of space - not sure quite for what yet but I felt it important to photograph each area to remind me of what space  I have to work with 

Again this area is opposite the table where art work covers the walls 

there is a balcony area which has a huge piece of wood there which adds to the seaside theme 

this is the main part of the upstairs - it is long, with seating and sloping wooden ceilings where again as you can see, art work is all over the walls 
this is the outside of the cafe 


business cards of the two artists who gave me their time and information and contacts 

Reflection: I prepared and presented my "branding" in a a professional manner.  I approached confidently.  I took all opportunities that were presented to me i.e. meeting Ruth Packham, a local felt artist.  I also listened to my gut when I went into a pub that is also an antique shop and has a back room where art is displayed.  When I went back there to speak to the lady, I felt unwelcome and decided not to ask her at all.